
Sarah wrote an article for Canadian Musicians on arranging strings. The full page goes into great detail relating what she hears in the scores of others and in her own work. I am uncertain of the date of this article but recently Sarah was in Paris scoring strings for a Paris Orchestra.
Strings, glorious, strings. Who canresist them? In my view, theirpower to manipulate emotion isunsurpassed. The timbre of theviolin is closest to that of the humanvoice – and perhaps this is why we findit so irresistibly, painfully beautiful...
- Sarah Slean, Canadian Musician